Posts Tagged thesis
In preparation for his defense, Claudio Baccigalupo has placed online his thesis: Poolcasting: an intelligent technique to customise music programmes for their audience. It looks to be an in depth look at playlisting.
Here’s the abstract:
Poolcasting is an intelligent technique to customise musical sequences for groups of listeners. Poolcasting acts like a disc jockey, determining and delivering songs that satisfy its audience. Satisfying an entire audience is not an easy task, especially when members of the group have heterogeneous preferences and can join and leave the group at different times. The approach of poolcasting consists in selecting songs iteratively, in real time, favouring those members who are less satisfied by the previous songs played.
Poolcasting additionally ensures that the played sequence does not repeat the same songs or artists closely and that pairs of consecutive songs ‘flow’ well one after the other, in a musical sense. Good disc jockeys know from expertise which songs sound well in sequence; poolcasting obtains this knowledge from the analysis of playlists shared on the Web. The more two songs occur closely in playlists, the more poolcasting considers two songs as associated, in accordance with the human experiences expressed through playlists. Combining this knowledge and the music profiles of the listeners, poolcasting autonomously generates sequences that are varied, musically smooth and fairly adapted for a particular audience.
A natural application for poolcasting is automating radio programmes. Many online radios broadcast on each channel a random sequence of songs that is not affected by who is listening. Applying poolcasting can improve radio programmes, playing on each channel a varied, smooth and group-customised musical sequence. The integration of poolcasting into a Web radio has resulted in an innovative system called Poolcasting Web radio. Tens of people have connected to this online radio during one year providing first-hand evaluation of its social features. A set of experiments have been executed to evaluate how much the size of the group and its musical homogeneity affect the performance of the poolcasting technique.
I’m quite interested in this topic so it looks like my reading list is set for the week.
Over the last couple of years, I’ve been lucky enough to get to know Music Information Retrieval researcher Oscar Celma. Oscar and I collaborated on a tutorial on music information retrieval that we presented at ISMIR 2007. We spent many, many hours on phone, email and IM sifting through every aspect of music recommendation.
This fall, Oscar completed his PhD Thesis. Oscar asked me to be the ‘external reader’ so I spent a good part of my Christmas break reading and re-reading the 230 page thesis. Oscar really has done a phenomenal job at looking at the issues and problems in music recommendation and in particular how they (or more accurately, how they don’t) help you find music in the long tail. Oscar’s analysis of how far different types of recommenders can push you deep into the tail.
Oscar has just published he’s thesis along with some supplementary info and code on the web site: Oscar Celma PhD. If you are involved in Music 2.0, I highly recommend reading it.
Some cool plots:
And the abstract …
Music consumption is biased towards a few popular artists. For instance, in 2007 only 1% of all digital tracks accounted for 80% of all sales. Similarly, 1,000 albums accounted for 50% of all album sales, and 80% of all albums sold were purchased less than 100 times. There is a need to assist people to filter, discover, personalise and recommend from the huge amount of music content available along the Long Tail.
Current music recommendation algorithms try to accurately predict what people demand to listen to. However, quite often these algorithms tend to recommend popular -or well-known to the user- music, decreasing the effectiveness of the recommendations. These approaches focus on improving the accuracy of the recommendations. That is, try to make accurate predictions about what a user could listen to, or buy next, independently of how useful to the user could be the provided recommendations.
In this Thesis we stress the importance of the user’s perceived quality of the recommendations. We model the Long Tail curve of artist popularity to predict -potentially- interesting and unknown music, hidden in the tail of the popularity curve. Effective recommendation systems should promote novel and relevant material (non-obvious recommendations), taken primarily from the tail of a popularity distribution.
The main contributions of this Thesis are: (i) a novel network-based approach for recommender systems, based on the analysis of the item (or user) similarity graph, and the popularity of the items, (ii) a user-centric evaluation that measures the user’s relevance and novelty of the recommendations, and (iii) two prototype systems that implement the ideas derived from the theoretical work. Our findings have significant implications for recommender systems that assist users to explore the Long Tail, digging for content they might like.