Archive for category The Echo Nest
No other holiday dominates our listening like Christmas. During this season, we are exposed to a seemingly never ending playlist of Christmas music. So its no surprise that there’s a huge amount of Christmas music available on Spotify. How much? Let’s take a look.
How much Christmas music is there?
It is actually quite hard to pinpoint the exact number of Christmas songs. First, every week during the holiday season thousands more Christmas songs are added to the set. Second, some songs are seasonal – is Frosty The Snowman a Christmas song? Not literally, but it gets a lot of play at this time of year, even by the antipodes. Finally, there are a number of other holidays and celebrations at this time of year such as Hanukkah, Boxing Day, New Years, Kwanzaa, the Winter Solstice, and Festivus that we want to include in this category. So when I say “Christmas Music” I’m referring to western music that is played primarily during December. There’s probably a better term to describe this music, but terms like seasonal, and holiday have their own special baggage – perhaps something like music coincident with the northern hemispheric winter solstice is the most precise description, but lets stick with Christmas music just to keep things simple. So how much Christmas music is there? In early December 2014, crack music + data nerd Aaron Daubman dove into the Spotify + Echo Nest music catalog and found 914,047 Christmas tracks – that’s just under a million Christmas tracks. Let’s unwrap this dataset to see what we can find.
First, some basic stats: Those 914,047 tracks represent 180,660 unique songs and were created by 63,711 unique artists – from Aaron Neville to Zuma the King. The top 20 artists with the most Christmas tracks in the Spotify catalog are all pre-Beatles artists:
Artists with the most Christmas Tracks
|4||Nat King Cole||11613|
|5||Johann Sebastian Bach||8958|
|15||The Andrews Sisters||3567|
Yes, that’s right, Bing Crosby has 22,382 different Christmas tracks (!) in the Spotify catalog. Now, a little digression on what we consider to be a unique track. Music, especially popular music, is released in many forms. A very popular song, such as Bing Crosby’s White Christmas, may appear on a wide range of albums – from the original studio release to a plethora of Christmas Compilations and artist ‘best of’ albums. Each of these track releases may have different album art, different rights holders and regional licenses. Thus, even though the audio for White Christmas may be the same on each of the release, we consider each release as a different track.
Let’s take a closer look at Bing Crosby’s White Christmas. In our catalog of nearly a million Christmas tracks, 2,196 of them are Bing Crosby’s classic. I’ll say that again, just because it is a rather phenomenal fact – there are 2,196 different albums on Spotify that contain Bing’s White Christmas. It is hard to believe, so I created a web page that contains all 2,196 of the albums so you can see them all. Click on the image below to load them all up (warning – with 2000+ album covers it’s a bit of a browser buster).
White Christmas isn’t the only uber-track of the holidays. Here are the top 25 Christmas tracks based upon the number of times they have been released on an album:
The most released Christmas tracks
|1||Bing Crosby – White Christmas||2196|
|2||Eartha Kitt – Santa Baby||1286|
|3||Elvis Presley – Blue Christmas||1285|
|4||Frank Sinatra – Jingle Bells||1121|
|5||Harry Belafonte – Mary’s Boy Child||904|
|6||Bing Crosby – Silver Bells||881|
|7||Nat King Cole – The Christmas Song||870|
|8||Frank Sinatra – The Christmas Waltz||811|
|9||Rosemary Clooney – Suzy Snowflake||788|
|10||Bobby Helms – Jingle Bell Rock||779|
|11||Elvis Presley – White Christmas||738|
|12||Judy Garland – Have Yourself a Merry Little Christmas||735|
|13||Frank Sinatra – White Christmas||703|
|14||Frank Sinatra – Christmas Dreaming||696|
|15||Frank Sinatra – Have Yourself a Merry Little Christmas||695|
|16||Elvis Presley – Silent Night||688|
|17||Elvis Presley – I Believe||664|
|18||Frank Sinatra – Santa Claus Is Coming to Town||660|
|19||Louis Armstrong – Zat You Santa Claus||598|
|20||Dean Martin – The Christmas Blues||575|
|21||Frank Sinatra – Mistletoe and Holly||568|
|22||Louis Armstrong – Cool Yule||566|
|23||Frank Sinatra – Silent Night||563|
|24||Bing Crosby – Jingle Bells||560|
|25||Elvis Presley – Santa Claus Is Back in Town||559|
You can see all of the releases for Elvis’s Blue Christmas and Eartha Kitt’s Santa Baby here:
So there are lots of copies of Bing Crosby’s White Christmas and Eartha Kitt’s Santa Baby out there – but what are the most common Christmas songs overall? Which ones have been recorded the most by any artist? The following table shows the top 25:
Most recorded songs
|5||Joy to the World||9093|
|6||The First Noel||8731|
|7||Have Yourself a Merry Little Christmas||8511|
|8||O Holy Night||7925|
|9||Hark The Herald Angels Sing||7727|
|10||The Christmas Song||7673|
|11||Away in a Manger||7544|
|12||God Rest Ye Merry Gentlemen||7524|
|13||O Little Town of Bethlehem||7480|
|14||Santa Claus Is Coming To Town||6851|
|15||I’ll Be Home for Christmas||6844|
|16||O Come All Ye Faithful||6273|
|17||Deck The Halls||6057|
|20||What Child Is This?||5755|
|21||We Wish You A Merry Christmas||5619|
|22||It Came Upon A Midnight Clear||5019|
|25||Let It Snow! Let It Snow! Let It Snow!||4598|
Of course this data may be confounded by the uber-tracks like White Christmas that have thousands of versions by a single artist, so lets look at the most recorded songs by unique artists – that is, we only count Bing Crosby once for White Christmas instead of 2,196 times. When we do that the top 25 changes a bit:
Most recorded Christmas songs (Unique Artists)
|3||Joy to the World||3593|
|5||O Holy Night||3536|
|6||The First Noel||3181|
|7||What Child Is This?||3150|
|8||Away in a Manger||3140|
|9||God Rest Ye Merry Gentlemen||2871|
|10||Have Yourself a Merry Little Christmas||2823|
|11||O Come All Ye Faithful||2675|
|12||Hark The Herald Angels Sing||2638|
|13||Angels We Have Heard on High||2494|
|15||The Christmas Song||2398|
|16||We Wish You A Merry Christmas||2281|
|17||Deck The Halls||2274|
|18||O Little Town of Bethlehem||2197|
|19||We Three Kings||2048|
|20||Santa Claus Is Coming To Town||1837|
|21||It Came Upon A Midnight Clear||1768|
|23||Auld Lang Syne||1603|
|25||I’ll Be Home for Christmas||1577|
The songs in green are the songs that are unique to each list.
Artists with the most number of unique songs
Bing Crosby is at the top of the Most Christmasy artists mainly because of the widespread re-issuing of White Christmas. But if we look at unique songs (i.e. White Christmas only counts once for Bing Crosby), the top Christmas artists look very different – with classical composers, Karaoke ‘artists’ and music factories topping the charts:
Artists with the most number of unique songs
|1||Johann Sebastian Bach||3681|
|3||The Karaoke Channel||1098|
|4||George Frideric Handel||903|
|7||ProSound Karaoke Band||762|
|8||Pyotr Ilyich Tchaikovsky||691|
|9||SBI Audio Karaoke||641|
|10||Mega Tracks Karaoke Band||577|
|12||Ameritz Karaoke Entertainment||508|
|13||Tbilisi Symphony Orchestra||506|
|16||Karaoke – Ameritz||428|
|17||Nat King Cole||413|
|18||Ameritz Karaoke Band||397|
|19||Merry Tune Makers||385|
Current popular Christmas crooner Michael Bublé, with 31 unique Christmas songs has a way to go before he makes it on to the most-unique-songs-recorded chart.
Speaking of Karaoke – there’s lots of Christmas Karaoke – 23,472 tracks to be precise. The top 25 Karaoke songs are the classics:
Top Karaoke Christmas Songs
|9||The Christmas Song||185|
|10||Jingle Bell Rock||172|
|11||Have Yourself a Merry Little Christmas||171|
|12||Please Come Home for Christmas||163|
|13||Little Drummer Boy||163|
|15||O Come All Ye Faithful||154|
|16||Here Comes Santa Claus||150|
|18||All I Want for Christmas Is You||146|
|19||O Holy Night||144|
|20||I Saw Mommy Kissing Santa Claus||143|
|21||Rockin’ Around the Christmas Tree||135|
|22||Santa Claus Is Coming to Town||126|
|23||Frosty the Snowman||125|
|24||Rudolph the Red Nosed Reindeer||121|
|25||We Wish You a Merry Christmas||118|
We can build a good list of seasonal terms by finding the most frequently occurring words in song titles. Here are the top 75 or so, as a word cloud created by wordle (stop words are removed of course).
Longest Christmas song name
There are lots of very long song names in the set of Christmas songs – the longest is this Christmas medly.
Andrea und Manuela – Morgen kommt der Weohnachtsmann – Medley / Morgen kommt der Weihnachtsmann/Leise rieselt der Schnee/Oh du Fröhliche/Ihr Kinderlein kommet/Süßer die Glocken nie klingen/Oh Tannenbaum/Kling Glöckchen/Stille Nacht, heilige Nacht/Alle Jahre wieder – Morgen kommt der Weihnachtsmann/Leise rieselt der Schnee/Oh du Fröhliche/Ihr Kinderlein kommet/Süßer die Glocken nie klingen/Oh Tannenbaum/Kling Glöckchen/Stille Nacht, heilige Nacht/Alle Jahre wieder
A great song for testing how well your music player UI deals with unusual titles.
One would think that with a million Christmas tracks we’d already have more than enough Christmas music – but, it seems, we still like new Christmas music. Ariana Grande’s recently released Santa Tell Me is climbing the streaming charts (currently #44 at charts.spotify.com).
Plus, there’s seemingly no-end to the variety of Christmas Music. If White Christmas with Bing Crosby is not your style, then there’s Blue Christmas by Elvis.
And If that’s not your thing, maybe you’ll enjoy Red Christmas by Insane Clown Posse.
My Music Hack Day Berlin hack was “Where’s the Drama?” – a web app that automatically identifies the most dramatic moment in any song and plays it for you. I’ve been having lots of fun playing with it … and even though (or perhaps because) I know how it works, I’m often surprised at how well it does at finding the most dramatic moments. Here are some examples:
- When will the Bass Drop – Lonely Island
- Stairway to Heaven – Led Zeppelin
- Doomsday – Nero
- November Rain – Guns N Roses
How does it work? The app grabs the detailed audio analysis for the song from The Echo Nest. This includes a detailed loudness map of the song. This is the data I use to find the drama. To do so, I look for the part of the song with the largest rise in volume over the course of a 30 second window (longer songs can have a bit of a longer dramatic window). I give extra weight to crescendos that culminate in louder peaks (so if there are two crescendos that are 20dB in range but one ends at 5dB louder, it will win). Once I identify the most dynamic part of a song, I pad it a bit (so we get to hear a bit of the drop after the build).
Playing the music – I wanted to use Spotify to play the music, which was a bit problematic since there currently isn’t a way to play full streams with the Spotify Web API, so I did a couple of hacky hacks that got me pretty far. First of all, I discovered that you can add a time offset to a Spotify URI like so:
When this URI is opened in Spotify (even when opened via a browser), Spotify will start to play the song a the 1:05 time offset.
I still needed to be able to stop playing the track – and there’s no way to do that directly – so instead, I just open the URI:
which happens to be the URI for John Cage’s 4’33. In other words, to stop playing one track, I just start playing another (that happens to be silent). The awesome side effect of this is that I’ll be slowly turning anyone who uses “Where’s the Drama?” into experimental music listeners as the Spotify recommendation system responds to all of those John Cage ‘plays’. This should win some sort of ‘hackiest hack of the year’ award.
It was a fun hack to make, and great fun to demo. And now that I have the app, I am no longer wasting time listening to song intros and outros, I can just get to the bit of the song that matters the most.
For my summer vacation early-morning coding for fun project I revamped my old Acrostic Playlist Maker to work with Spotify. The app, called Acrostify, will generate acrostic playlists with the first letter of each song in the playlist spelling out a secret message. With the app, you can create acrostic playlists and save them to Spotify.
Give it a try at Acrostify.
I am at Outside Hacks this weekend – A hackathon associated with the Outside Lands music festival. For this hack I thought it would be fun to try out the brand new Your Music Library endpoints in the Spotify Web API. These endpoints let you inspect and manipulate the tracks that a user has saved to their music. Since the hackathon is all about building apps for a music festival, it seems natural to create a web app that gives you festival artist recommendations based upon your Spotify saved tracks. The result is the Outside Lands Recommender:
The Recommender works by pulling in all the saved tracks from your Spotify ‘Your Music’ collection, aggregating the artists and then using the Echo Nest Artist Similar API to find festival artists that match or are similar to those artists. The Spotify API is then used to retrieve artist images and audio samples for the recommendations where they are presented in all of their bootstrap glory.
This was a pretty straight forward app, which was good since I only had about half the normal hacking time for a weekend hackathon. I spent the other half of the time building a festival dataset for hackers to use (as well as answering lots of questions about both the Spotify and Echo Nest APIs).
It has been a very fun hackathon. It is extremely well organized, the Weebly location is fantastic, and the quality of hackers is very high. I’ve already seen some fantastic looking hacks and we are still a few hours from demo time. Plus, this happened.
Last month I released the Set Listener – a web app that lets you create a Spotify playlist for an artist’s most recent show. A frequent request by users has been to allow the creation of a Spotify playlist for any show, not just the most recent one. However, I didn’t want to have to implement an elaborate event search and browse feature (this was supposed to be a quick hack) especially since SetList.fm already implements this browsing. So instead I did a bit of hack to implement this feature – in addition to accepting an artist name, the Set Listener will accept the url of any setlist.fm show. If you enter a setlist.fm show URL, the Set Listener will grab the songs for that show and generate the playlist. Here’s the flow:
Go to setlist.fm and browse until you find your show of interest. Grab the URL
Paste the URL into the Set Listener and you should be good to go:
I am wearing my International Executive Music Hacker hat today. I’m writing this blog post at 5AM somewhere over the Atlantic Ocean, on my way to the Barcelona Music Hack Day, where I’ll be representing both The Echo Nest and Spotify. I’m pretty excited about the hack event – first, because it’s in freaking Barcelona, and second, because I get to talk about what’s been going on with the Spotify and Echo Nest APIs.
It has been just about 100 days since The Echo Nest and Spotify have joined forces. In that time we’ve been working hard to build the best music platform for listeners and for developers. This week we are releasing some of the very first fruits of our labors.
First up, we are releasing a new Spotify Web API.
This is a complete revamp of the Spotify Metadata API (the old version has now been deprecated). The Spotify Web API gives you access to all sorts of information about the Spotify catalog including details about artists, albums and tracks. Want to know the top tracks for an artist? There’s an API for that. Looking for high quality album art, artist images and 30 second audio previews? There are APIs for that too. Best of all, the new API includes perhaps the most requested Spotify API feature of all time With the Spotify Web API you can now create and modify playlists on behalf of authenticated users. Yes – you can now create a Spotify web app that creates playlists. (I personally requested this feature way back in 2008, here’s my begging plea for the feature in 2009).
I’ve been using the beta version of this new API for a couple months now and I must say I am quite impressed. The API is fast, super easy to use, and provides all sorts of great data for building apps. In the past weeks I’ve had fun converting a number of my favorite apps to use the Spotify API. First there’s the Road Trip Mix Tape that lets you create a Spotify playlist of music by artists that are from the very towns you are driving through. Then there’s Music Popcorn, a visual interface for exploring genres. For the less visual, there’s the Genre Browser that gives you lots of details about the different music genres including playlists that help give you a gentle introduction to any of the thousands of Echo Nest genres. Next there’s Boil the Frog, an app that creates seamless playlists between any two artists. Finally there’s the 3D Music Maze, an app that lets you explore for music by wandering through a 3 dimensional music world.
Next up, a freshly minted Echo Nest + Spotify Sandbox — a new Spotify ID space.
These apps are possible because of the second thing we are releasing this week – a spiffy, shiny new Spotify Rosetta Stone catalog that ensures that the Echo Nest API has the freshest, and most up-to-date view of the Spotify universe of music. For those who might be new to The Echo Nest, Project Rosetta Stone is something we’ve been working on here at the Nest for many years. The goal of Project Rosetta Stone is to solve one of the most common problems that nearly every music app developer faces. The problem is that every music service has its own set of IDs – a music subscription service like Spotify has its own artist, album and track IDs. A lyric service has its own (and very different) IDs for those same artists, albums and tracks and a concert ticketing API has yet a third set of IDs. This is quite problematic for app developers that want to build an app that combines information from multiple services. Without a common ID system, the app developer has to resort to metadata searching and matching – which is slow and quite error prone – this results in a poor app.
Project Rosetta Stone solves this problem by providing ID mappings between as many music services as we can. With this mapping you can easily translate IDs from one ID space to another. With Rosetta Stone, if you have the Spotify track ID you can get Lyricfind and/or Musixmatch IDs making it easy to use those respective APIs to retrieve lyrics for that song. You can easily map the Spotify artist ID to a Songkick or Eventful ID to get ticket and touring information from those APIs. And of course you can use the Spotify track ID to get detailed Echo Nest information about the song such as its tempo, energy, danceability, along with detailed Echo Nest artist data such as latest artist news, blog posts and similar artists.
We have had Spotify IDs in Rosetta Stone for many years, but this particular mapping has in the past been problematic for us. Spotify has a huge catalog and keeping the mapping fresh and up to date between Spotify and The Echo Nest has always been a big challenge. There’s a huge back catalog with millions of tracks to deal with plus thousands of new tracks are being added every week. The result was that there was always a bit of a lag between when updates to the Spotify catalog were reflected in the Rosetta Stone mapping. This meant that if you built a Rosetta Stone-based app you could find that The Echo Nest wouldn’t always know about a Spotify track, especially if a track was very new. The result would be a less-than-perfect app.
This week we are releasing a new Spotify ID space. Our engineers have been working hard over the last 100 days to set up all sorts of infrastructure and plumbing to ensure that we have the most up-to-date view of the Spotify catalog. No more lag between when a new track appears in Spotify and when you can get Echo Nest data. Plus, all of our APIs that take IDs as inputs will now also take Spotify IDs as input as well. If you have a Spotify artist ID you can use it with any Echo Nest artist API method. Likewise, if you have a Spotify track ID you can use it with any Echo Nest song or track API method that takes a track ID as input. This makes it **really** easy for developers to use The Echo Nest and Spotify Apps together. For example, here’s an API call that returns detailed audio properties for a Spotify track given its ID.
I’ve been having much fun using The Echo Nest API with the brand new Spotify API. I’ve already written some code that you can use. First, I wrote a Python library for Spotify called Spotipy. It’s makes it easy to write Python programs that use the new Spotify Web API, and it works well with my Echo Nest Python library called Pyen. Here’s an example of using the two libraries together:
So yes, I’m pretty jazzed about this trip to Barcelona. I get to create a music hack, I get to spend a few days with some of the best music hackers in the world (The Barcelona Music Hack Day, as part of the Sonar Festival tends to attract the top music hackers). I get to spend a few days on the Mediterranean in one of the most beautiful cities in the world. Best of all, I get to talk about the new Spotify and Echo Nest developer platform and help music hackers build cool stuff on top of the newly combined platform.
I’ve put together a page that talks in detail about the new Spotify / Echo Nest platform. It has links to all of the API docs, libraries, examples, github repos, demos and details on how you can use The Echo Nest / Spotify Platform. Check it out here:
Keep an eye on this space for I’ll be updating it as we continue to integrate our developer APIs. There’s lots more coming, so stay tuned!
Ten years ago, May 3, 2004 I typed my very first blog post. At the time I was a researcher at Sun Microsystem’s Lab in the speech group working on speech synthesis and speech recognition systems, and so that was what I blogged about. Over the next year, my blog, first called “Duke Speaks!” and then called “Duke Listens!”, (Duke is the name of the Java mascot) slowly morphed into a blog that was focused on music technology, and in particular, music information retrieval, music recommendation, music playlisting and discovery. Five years later, when I left Sun to join The Echo Nest, I relaunched the blog as Music Machinery where I’ve been writing ever since.
I’ve written lots of blog posts. Some of my favorite from the Duke Listens! days are:
- My first MIR-related post (June 2004)
- My first hardcore MIR post (January 2005)
- A very wrong prediction about Apple (January 2005)
- I discover Radio Paradise (April 2005)
- First Google Music rumor (June 2005)
- First Amazon Music rumor (August 2005)
- First Pandora Post (September 2005)
- First mention of The Echo nest (October 2005)
- Why there’s no Google Music search (December 2005)
- First mention of Spotify (January 2007)
- My review of Spotify (November 2007)
- The Echo Nest goes live (March 2008)
- The Echo Nest launches their API (September 2008)
- My first look at iTunes genius recommendations (September 2008)
- My last post (February 2009)
Some of my more popular posts from the Music Machinery days are:
- The Swinger
- Inside the precision hack
- Exploring regional listening preferences
- moot wins, Time Inc. loses
- The Infinite Jukebox
- In search of the click track
- The Loudness War Analyzed
- Hacking spotify
- Favorite Artists vs Distinctive Artists by State
- How good is Google’s Instant Mix?
- How to process a million songs in 20 minutes
- Joco vs. Glee
- Precision Hacking
I’m really looking forward to the next decade of blogging. Now that I work for Spotify, there’s a seemingly unlimited supply of music data that will be prime blogging material. It will be great fun.
Thanks to you my reader, for stopping by, and for all of your great comments, and feedback over the years.